This article contains spoilers for the movie in question. You’ve been duly warned. In this piece I won’t talk about the decision to shoot and project in 48fps. I won’t talk about how the advances (or lack thereof) in special effects reflect in this new technology. I won’t even talk about the 3D, and whether Peter Jackson is – in this regard – an Ang Lee (in Life of Pi) or a Lou Letterier...
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